Anyone read this one before?
The quote's true, it is used in the Havok engine used by Halo 2 and Half-Life 2As Carmageddon rolled off the production line, current Xbox project lead Seamus Blackley was masterminding the first game to incorporate physics into almost every aspect of a virtual environment. Published by DreamWorks Interactive in late 1998, Trespasser was launched on a wave of hype. According to a contemporaneous press release, "The Trespasser engine's physics system represents a generational leap in computer simulations - it is a stunning new piece of technology that will change the way the industry thinks about games."
Good until the last sentence. It's their opinion the game sucked, personally I love it. Same replayability as Halo 1.It was indeed a stunning piece of technology. Trespasser's dinosaur-infested world was a convincing physical environment in which players could try nearly anything to solve a puzzle or kill a reptile. Too bad the game sucked.
Well, if it wasn't rushed, such small problems could have been avoided."Everybody was looking forward to Trespasser because of its advanced physics engine," recalls Will Wright. "But when the game came out, it was just horrible. The physical constraints overwhelmed everything else. Every time you'd walk through a door with a gun, it would catch the doorjamb and fall out of your hand."
Fate, huh? Yeah, Tres is dead... Never heard of us, eh?With two ambitious companies competing neck and neck to deliver a worthy solution, physics was ready for the game industry. But the unhappy fate of Trespasser poses a crucial question: Is the game industry ready for physics?
Reality is the fun of the game, and the flaws the engine has makes it unique.Although game developers like to boast about the realism of the experiences they create, they're actually talking about making sure that the world within a game, which may be entirely unlike the one we live in, is consistent and accessible. When a game's objects, environments, and characters are imbued with physical properties, they become extensions of, rather than stand-ins for, reality as we perceive it. In other respects, however, correspondence between the external environment and the one inside the box is beside the point. People play games to get away from the real world. As Trespasser demonstrated all too clearly, too much reality spoils the fun.